Brands are dedicated to a purpose. They buzz with meaning. They communicate trust.
I wonder if it isn’t time for them to act like a studio.
A Hollywood studio.
This would be a good way for the brand to speak to culture, to connect to consumers, to matter to the moment.
The brand as studio can stage culture, produce culture, engage cultural creators and curators. And the brand that produces culture is now a part of culture.
Here are some reasons the brand as studio is now possible
- we have seen popular culture get better
- this has pulled…
Curatorial ability. You have it. And up until til now, you just gave it away.
We are all culture curators one way or another. We are passionate about graphic novels, hip hop, noir films, craft beer, computer games, folk arts, or this thing called American culture or those people called the French. Something.
As curators, we have deep knowledge.
Go ahead. Ask us about Game of Thrones. And make yourself comfortable. Because we will talk for hours: the story lines, actors, producers, backstories, and why X did Y to Z. (That bastard!)
Our curator knowledge is vast and diverse. It…
This essay is about the transition from Brand You to Celebrity Me. I wrote it ages ago, and as usual, I stuffed it in a drawer and forgot about it. But as Culture camp approaches, I wanted to get it “on the table” so that people can see some of the things we will be talking about there.
Instagram images, TikTok performances, the profusion of memes, the outpouring of creativity, the mugging for the camera. Much of the stuff of the internet amounts to performances designed to seek celebrity. What is going on here? Why are people performing…
The Creator Economy has been “on approach” since the 1990s. From the beginning, there was plenty of optimism. Surely, a broad, distributed, inclusive economy would be an irresistible consequence of the digital era.
The problem is that it’s not an economy until money changes hands. It’s not an economy until people making content are also making a living (or something like it).
And money was not changing hands.
This turned out to be the cruelest joke of the digital era. Everyone was now empowered to make content but, no, almost everyone had to keep their day jobs.
Someone was making…
Note to the reader: This essay was written in the spring of 2019. It produced an incendiary response in some readers and I had doubts about it in any case. So I stuck it in a drawer and forgot about it. A couple of weeks ago I was doing a podcast with Lee Sankey and we began to talk about it. This was enough to prompt me to put it into “print.” (Thank you, Lee.) Here goes:
Culture and Design Thinking: Welcome to the Orphanage
Grant McCracken (firstname.lastname@example.org)
June 24, 2019
I was surprised to see IDEO release a statement…
[This essay was originally published May 2015 in Wired. It was a collaboration that brought together this essay, an interview with Mitch Hurwitz, an embedded reader poll constructed by Wired, and some spectacular visuals also from Wired. All of these sponsored by Netflix. The collaboration was well received. AdAge called it the “Snow Fall” of native advertising. A Netflix board member let me know he (or she) loved it.
Then for reasons unclear to me Netflix took the essay down. This sent my essay into oblivion. …
Every Monday morning, I watch Get Up on ESPN. I may or may not have seen the NFL games the day before, but I never miss this show.
That’s because while I love football, I really love data management, by which I mean smart people working with fresh data in a search of the insights that tell the story and make the world more intelligible.
Get Up is very good at this.
We might even say there are only a few teams in the NFL who are as good at football as the Get Up crew is at data management.
“You can find awesome rhythm in everything. People will hear certain breaks that I make and be like, ‘Where’d that come from?’ I’ll be like, ‘That was the part where dude was running down the steps in “Annie Get Your Gun.”’”
[Quelle Chris, producer, quoted in jason hirschhorn’s @MusicREDEF, Aug. 26, 2020]
Quelle Chris was just minding his own business, watching a musical 40 years older than himself, washed over by all that motion and music.
One detail sticks with him: the sound of a dude running down the steps. Can’t have been more than a couple of seconds, a…
In the 1970s, New York City was in trouble. The economy was foundering. Residents and companies were fleeing the city. The tax base was diminishing and budgets were emptying out. Deinstitutionalization had released mentally ill people into the streets. Drug addiction was high. Murder rates were skyrocketing. During the blackout of 1977, there was heavy looting and civil unrest. New York City appeared to be in “irreversible decline.”
The Assistant Commissioner of Commerce for New York State, Bill Doyle, decided to do something. He hired Milton Glaser. The idea, Glaser recalls, was to create a new campaign to encourage tourism…